Visual direction, motion design, and technical systems execution.

Campbell Logan is an accomplished Director, Motion Designer, and Visual Systems Producer based in Los Angeles. Over the past decade, they have combined rigorous hands-on animation and visual effects craft across 2D and 3D pipelines with full-lifecycle creative leadership and technical systems execution.

Campbell moves seamlessly between intensive timeline execution and full-lifecycle production—equally at home crafting intricate keyframes, rigging characters, and rendering complex 3D scenes in After Effects, Cinema 4D, and Unreal Engine, or leading line budgets, vendor contracts, and client pitches. They personally produced, directed, and animated original full-CG music videos solo, including "The Way" for Manchester Orchestra (Loma Vista Recordings, featured on Artnet News) and "Connect the Dots" for Moaning (Sub Pop Records), pioneering the virtual production methodology "Filmmaking Simulation."

In commercial and studio production, Campbell served as Senior Commercial Animator and 3D Generalist, executing stylized 2D character animation for T-Mobile's national holiday campaigns alongside high-profile 3D commercial visual packages for T-Mobile, SAP Concur, and JLL. They served as VFX Supervisor & 3D Generalist via Gifted Youth / Wieden+Kennedy on Old Spice's national commercial campaigns (including the nautical Shopping Network campaign starring Steven Ogg from Grand Theft Auto V, and Man Hunt). Their feature work includes pioneering screenlife visual effects for Universal Pictures (Unfriended, $64M worldwide box office), and designing forensic cyber-espionage data visualization for Oscar-shortlisted and BAFTA-nominated documentaries (The Dissident).

For StandardVision, Campbell executed 3D architectural previsualization and procedural media mapping across Downtown LA's tallest 73-story skyscraper facade (Wilshire Grand). For five consecutive years, Campbell has served as Visual Media Lead for the Apple Design Awards (via Lead Production Agency)—authoring elaborate multi-screen motion design collages in After Effects, engineering an air-gapped private LAN network routing a distributed multi-node QLab playback cluster across Apple Mac Minis, and orchestrating zero-drift live event cueing via dedicated iPad OSC show control.